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https://w.atwiki.jp/vocaloidenglishlyric/pages/216.html
【Tags S Shizennoteki-P tI IA】 Original Music Title 想像フォレスト English music title Imagination Forest Romaji music title Souzou Foresuto Music Lyrics written, Voice edited by じん(Jin) / 自然の敵P(Shizen noteki-P) Music arranged by by じん(Jin) / 自然の敵P(Shizen noteki-P) Singer IA Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): The summer breeze knocks, And when I open up the window, I hear the chirps of birds wandering from afar I put a half-read book aside, And say with a smile, "Where did you come from?" With my blindfold still on, three in the afternoon... The world is surprisingly simple, But it s me who s bizarre, With complication which no one ever understands... Outside the town, in the forest, in this house beyond people s notice... Yes, that s why none ever come to visit. Don t make eye contact! With a hardened heart, I resign to loneliness, Living out my days seeing only "things"... All I know are what s in stories, And if I long for the world, just a bit, Will you forgive me for it? It faintly flowed along; Even in this irrationality I was born into, Surprisingly, there was life. Somewhere inside me. Tell me, won t that wide world In which I imagine a wild future, Whether it be today or tomorrow... Won t it knock on my door? As I was having such fantasies, And gazing outside, I suddenly heard someone speaking... I knocked over my half-drunk herb tea, Spilling it all over the desk "What am I to do...?" I thought, staring past the door. "Look anyone in the eyes, and they ll turn to stone..." That s what my parents had heard, And it seemed my eyes were the same... And the way that always goes in stories... Well, such people are to be feared. I knew that, and that s why. A thumping sound echoed out, The first knock I d ever heard And to say I was nervous... It wouldn t be quite enough. Let me say, that wild world That I had imagined to knock... In reality, it opened the door Much more easily than I expected. Finding me cowering, covering my eyes, The person was surprised; "If I look you in the eye... turn to stone..." I stammered, but they just smiled "I ve been living afraid as well, Afraid I d turn to stone... But wouldn t the world be so much better Without that fear?" Reverberating peacefully, My heart overflowed with imagination, And a bit of it rang out into the world... And tell me, you who came to me To teach me about a wild future... That if I m ever lost again, You ll be here waiting for me. The summer breeze comes again and blows the hood you gave me, And I let it oh-so-gently sway in the wind. Romaji lyrics (transliterated by vgboy / vgperson): Natsu kaze ga nokku suru Mado o akete miru to Doko kara ka mayoikonda tori no koe Yomi-kake no hon o oki "Doko kara kitan dai" to warau Mekakushi shita mama no gogo san-ji desu Sekai wa angai shinpuru de Fukuzatsu ni kaiki shita Watashi nante dare ni rikai mo sarenai mama Machi hazure, mori no naka, hitome ni tsukanai kono ie o Otozureru hito nado inai wake de. Me o awasenaide! Katamatta kokoro, hitori-bocchi de akiramete Me ni utsutta mono ni ando suru hibi wa Monogatari no naka de shika shiranai Sekai ni sukoshi akogareru koto kurai Yurushite kuremasu ka? Tantan to nagaredashita Umarete shimatta rifujin demo Angai jinsei nande. Watashi no naka ja. Nee nee, toppi na mirai o Souzou shite fukuramu sekai wa Kyou ka ashita demo Nokku shite kurenai desu ka? Nante mousou nanka shite Soto o nagameteiru to Totsuzen ni kikoete kita no wa shaberi-goe Nomi-kake no haabu tii o Tsukue-juu ni makichirashi "Dou shiyou..." To doa no mukou o mitsumemashita. "Me o awaseru to ishi ni natte shimau" Sore wa ryoushin ni kiita koto Watashi no me mo sou natteiru you de Monogatari no naka nanka ja itsumo Kowagarareru yaku bakari de. Sonna koto shitteru wake de. Tonton, to hibikidashita Nokku no oto wa hajimete de Kinchou nante mono ja Tarinaku kurai de. Nee nee, toppi na sekai wa Souzou shiteru yori mo Jitsu ni kantan ni doa o Akete shimau mono deshita. Me o fusagi uzukumaru sugata ni Sono hito wa odoroite "Me o miru to ishi ni natte shimau" To iu to tada waratta "Boku datte ishi ni natte shimau to Obiete kurashiteta Demo sekai wa sa, angai obienakute Iin da yo?" Tantan, to narihibiita Kokoro no oku ni afureteta Souzou wa sekai ni sukoshi naridashite Nee nee, toppi na mirai o Oshiete kureta anata ga Mata mayotta toki wa Koko de matteiru kara. Natsu kaze ga kyou mo mata anata ga kureta fuku no Fuudo o sukoshi dake yurashite miseta. [Shizennoteki-P, ShizennotekiP, Shizen-no-teki-P, Jin]
https://w.atwiki.jp/mrfrtech/pages/117.html
Market Analysis Mobile banking is a service provided by a bank or other financial institutions and allows users to conduct financial transactions remotely using a mobile device. The devices such as smartphones or tablets are used for mobile banking, primarily for transferring money from one account to another and depositing a check by taking a picture. These are prominently provided features for mobile banking in the market. Moreover, it typically operates across applications developed for iPhone, Android, or other device platforms. Moreover, mobile banking is conducted with the availability of an internet or data connection to the mobile device. Depending on the feature provided in applications, the products and services included in mobile banking provide account balances and lists of the latest transactions, remote check deposits, funds transferred between beneficiary accounts, electronic bill payments, peer-to-peer payments, and others. The main concept of mobile banking is to offer online services that will offer dynamic banking services. Covid 19 is impacting the market segments and market share, and it is a way of life across the world. People are now acquiring online banking due to the shutdown and other issues. The advanced smartphone application and banking methods mapping other facilities are key drivers for the market. It is expected that the Mobile Banking Market will register USD 3.47 billion and a CAGR of 15.4% by 2030. High Adoption of Mobile Banking Apps In order to promote and increase customer satisfaction and expectations, the global mobile banking market is implementing a number of new initiatives and challenges. New clients are installing the most recent banking applications in order to make the best use of the technology that has been offered to benefit consumers. This is one of the primary factors that will directly accelerate the mobile banking industry during the anticipated assessment period. Aside from that, advanced smartphone applications are dynamic, the fundamental banking method that may also be the driving force behind market expansion. Due to the increased number of smartphone users worldwide, mobile banking s new subscribers are expected to increase significantly. Mobile banking also encourages and enables the recording, mapping, and close examination of the customer s financial situation. As a result, it has had a favorable impact on the growth of the mobile banking market. COVID-19 Pandemic to Positively Impact the Market According to the global mobile banking market analysis, customers make up a sizable portion of the whole market. There are numerous potential aspects in the mobile banking industry analysis that are reliant on a variety of factors. The COVID-19 pandemic has had a significant impact on the mobile banking market share and way of life around the world. People are conducting a growing number of transactions online in order to avoid visiting a bank branch. Many organizations have to fight a never-ending battle for survival and client relationships. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2906 Competitive Outlook Notable players in the global mobile banking market include Dais Software Company (Bulgaria), Strands Inc. (U.S.), Ebanq B.V (Netherlands), Nymbus Inc. (U.S.), Apex Software Ltd. (Kenya), Temenos Group AG (Switzerland), Neptune Software PLC (U.K.), Fisa System (U.S.), Capital Banking Solutions (U.S.). Segmentation The global mobile banking market has been segmented into solution, technology, and The Mobile Banking Market is segmented into solution, Technology and deployment. Based on the Solution, the market is categorized into Customer Management, Mobile Banking Features, and Mobile Payment Features. The mobile payment features will dominate the market due to the use of the several UPI payment option and due to the pandemic as well as people prefer cashless payments. By Technology, the Mobile Banking Market is bifurcated into Wireless Application protocols, Standalone Mobile applications. Among them, the standalone segments will have a high market share as mobile banking has become the most secure and hassle-free process, increasing the market in the future. The Deployment variables are On-Cloud and On-Premise. Both segments are increasing the market value, but the on-cloud is expected to hold more than the on-premise as it is helpful for the storage of the data without having security concerns. Regional Analysis The Mobile Banking Market is studied in the regions such as Asia Pacific, North America, Europe and Latin America and the middle east and Africa. North America and Europe register the highest share of the market in 2018 and are expected to hold the same share in the forecast period. Due to the increase of new-age FinTech technologies, banks are upgrading their mobile banking applications to provide better-customized product offerings, enhanced customer experience, and convenience for their users. Asia-Pacific will dominate the market during the forecast period due to the increased use of digital banking platforms and robust economic growth. Other regions also have a good growth due to the enhancement of the market, and the market will experience growth shortly. Industry news TRAI dismisses the USSD fee on mobile banking. The regulator body said it is a bid to boost digital financial inclusion and protect the interests of ordinary feature phone users. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/mobile-banking-market-2906 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report Fixed-Mobile Convergence (FMC) Market By Convergence Type (Device Convergence, Network Convergence and Application Convergence), Mode (Single-mode and Dual-mode), Component (Infrastructure and Service) Antivirus Software Market By Type (PC and Phones/Pad), By Application (Enterprises, Individual and Government) Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/rsbuygoldq/pages/18.html
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https://w.atwiki.jp/touhoukashi/pages/3782.html
【登録タグ DiGiTAL WiNG L えろたん デジウィ BEST 恋色マスタースパーク 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/linux_kai/pages/79.html
Total - (Today - Yesterday - ) 最終更新日 2011/05/19 21 21 slackware x86_64にmultilibを導入し、32-bitアプリのkaiengineを実行できる環境にします kaiengineに必要な32-bit版wxGTKライブラリを作成し、x86_64 + multilib環境にインストールします このページ内容の対象バージョン slackware 13.37 x86_64で確認しました slackware 13.1 x86_64では未確認です バージョンが異なる場合、嘘の情報になってしまう可能性があります 1.multilibのインストール1.1.multilibのインストール 1.2.compat32のインストール 1.3.slackpkgのblacklist設定 2.wxGTKライブラリ(32-bit版)のインストール2.1. 32-bitビルドのための設定 2.2. SlackBuildファイルの修正 2.3. wxGTKのビルドとインストール 3.その他3.1.gdk-pixbufのloaders.cacheの作成 3.2.pango.modulesの作成 3.3.locale-archiveのコピー コメント 1.multilibのインストール 1.1.multilibのインストール multilibをダウンロードします $ mkdir -p ~/Downloads $ cd ~/Downloads $ lftp -c open http //slackware.com/~alien/multilib/; mirror 13.37 multilibをインストールします $ cd ~/Downloads/13.37 $ sudo upgradepkg --reinstall --install-new *.t?z 1.2.compat32のインストール l-compat32をインストールします $ cd ~/Downloads/13.37/slackware64-compat32/l-compat32 $ sudo upgradepkg --reinstall --install-new *.t?z x-compat32をインストールします $ cd ~/Downloads/13.37/slackware64-compat32/x-compat32 $ sudo upgradepkg --reinstall --install-new *.t?z a-compat32/util-linux-compat32をインストールします $ cd ~/Downloads/13.37/slackware64-compat32/a-compat32 $ sudo upgradepkg --reinstall --install-new util-linux-compat32-2.19-x86_64-1.txz 1.3.slackpkgのblacklist設定 slackpkgのblacklistにmultilib関連の5行を追加します $ sudo vi /etc/slackpkg/blacklist 27 #THESE ARE ALIEN BOB S MULTILIB PACKAGES 28 gcc 29 glibc 30 compat32 31 .+-compat32 2.wxGTKライブラリ(32-bit版)のインストール 2.1. 32-bitビルドのための設定 32-bitでビルドするため、/etc/profile.d/32dev.shを設定後にsbopkgを実行します $ su - # . /etc/profile.d/32dev.sh # sbopkg SlackBuilds.org Package Browserでは、Searchを選択して OK します Searchでは、wxgtkと入力して PKG します libraries/wxGTK cross-platform GUI toolkitが表示されたら、 OK します 2.2. SlackBuildファイルの修正 wxGTK (2.8.12-x86_64-1_SBo)では、Customを選択して OK します GTK Customizationでは、Edit SlackBuildを選択して OK します "$ARCH" = "x86_64"ブロックのLIBDIRSUFFIX="64"を""に修正します 60 elif [ "$ARCH" = "x86_64" ]; then 61 SLKCFLAGS="-O2 -fPIC" 62 LIBDIRSUFFIX="" == "64"を削れば、/usr/lib/にインストールされます 63 ARCHQUADLET="" GTK Customizationに戻ったら、 Back を選択します 2.3. wxGTKのビルドとインストール GTK (2.8.12-x86_64-1_SBo)に戻ったら、Buildを選択して OK します Install Package(s)では、 Yes を選択します Choose wxGTK SlackBuild fileでは、Localを選択して OK します Pre-Check Logでは、 Start Build を選択します 以下、ビルド終了時、wxGTKがインストールされたときのメッセージです 結果を確認したら、sbopkgを終了します Done upgrading/installing package. PACKAGE BUILDING/INSTALLATION SUMMARY LOG Using the SBo repository for Slackware 13.37 Queue Process Build and install wxGTK MD5SUM check for wxGTK-2.8.12.tar.gz ... OK Building package wxGTK-2.8.12-x86_64-1_SBo.tgz ... OK Installing package wxGTK-2.8.12-x86_64-1_SBo.tgz ... OK ########################################### Queue process complete! ########################################### Press any key to continue 32-bitのwxGTKかどうか確認します $ file /usr/lib/libwx_gtk2u_core-2.8.so.0.8.0 libwx_gtk2u_core-2.8.so.0.8.0 ELF 32-bit LSB shared object, Intel 80386, version 1 (SYSV), dynamically linked, stripped この時点で、他に不足ライブラリがないか確認しておきます $ ldd /usr/local/bin/kaiengine | grep not found $ 3.その他 環境固有の不具合に関する情報と対策です。 3.1.gdk-pixbufのloaders.cacheの作成 gdk-pixbufのloaders.cacheファイルを作成します $ su - # GDK_PIXBUF_MODULEDIR=/usr/lib/gdk-pixbuf-2.0/2.10.0/loaders /usr/bin/gdk-pixbuf-query-loaders /usr/lib/gdk-pixbuf-2.0/2.10.0/loaders.cache # exit 上記の設定で、以下のメッセージが表示されなくなるようです (kaiengine 5464) GdkPixbuf-WARNING ** Cannot open pixbuf loader module file /usr/lib/gdk-pixbuf-2.0/2.10.0/loaders.cache そのようなファイルやディレクトリはありません (kaiengine 5464) GdkPixbuf-WARNING ** Error loading XPM image loader 画像の種類 xpm はサポートされていません (kaiengine 5464) Gdk-CRITICAL ** IA__gdk_drawable_get_size assertion `GDK_IS_DRAWABLE (drawable) failed (kaiengine 5464) Gdk-CRITICAL ** IA__gdk_drawable_get_depth assertion `GDK_IS_DRAWABLE (drawable) failed 3.2.pango.modulesの作成 pango.modulesファイルを作成します $ su - # /usr/bin/pango-querymodules /etc/pango/pango.modules # exit 上記の設定で、以下のメッセージが表示されなくなるようです (kaiengine 5464) Pango-CRITICAL ** No modules found No builtin or dynamically loaded modules were found. PangoFc will not work correctly. This probably means there was an error in the creation of /etc/pango/pango.modules You should create this file by running pango-querymodules /etc/pango/pango.modules (kaiengine 5464) Pango-WARNING ** failed to choose a font, expect ugly output. engine-type= PangoRenderFc , script= latin 3.3.locale-archiveのコピー ja_JP.SJISロケールを登録します この処理で、/usr/lib64/locale/locale-archiveが更新されましたが、/usr/lib/locale/locale-archiveは生成されませんでした $ sudo localedef -f WINDOWS-31J -i ja_JP ja_JP.SJIS /usr/lib64/locale/locale-archiveファイルを/usr/lib/locale/側へコピーします リンクでも大丈夫かと思ったのですが、他ディストリビューションでは実ファイルになっているのでコピーにしました $ sudo cp -p /usr/lib64/locale/locale-archive /usr/lib/locale/locale-archive このlocale-archiveファイルのコピーを忘れるとKai起動時に以下メッセージが表示され、日本語が文字化けします (process 20613) Gdk-WARNING ** locale not supported by C library (process 20613) Gtk-WARNING ** Locale not supported by C library. Using the fallback C locale. 以上で、slackware x86_64 multilib環境への32-bit版wxGTKのインストールは終わり。 上へ戻る コメント 新規作成 -- kar (2011-05-19 21 21 38) 名前 コメント
https://w.atwiki.jp/nginx/pages/15.html
nginx php nginxでphpを動作させる方法を書いています。 nginxでphpを動作させるにはspawn-fcgi(lighthttpdというパッケージに含まれている)というラッパーが必要になります。 つまりnginx --- spawn-fcgi --- phpという風に連携させます。 http //d.hatena.ne.jp/demuyan/20080726 ここを参考にしています。 phpのインストール sudo aptitude install php5-common php5-cgi php5-mysql php5-cli spawn-fcgiを使ってphpを動作させます。 spawn-fcgiはlighttpdに含まれています。 lighttpdのインストール php5-cgiをFastCGIとして起動させるスクリプト(/usr/bin/php5-fastcgi)を作成します。 /usr/bin/php5-fastcgiの内容 重要なのは「-C 2」です。 このCオプションはspawn-fcgiのプロセス数を意味します。アクセス数が多ければ多いほど、この値を大きくしていきます。 アクセスがこれを超えると、いわゆるサーバーが落ちるという状態になります。 #!/bin/sh /usr/bin/spawn-fcgi -a 127.0.0.1 -p 9000 -u www-data -C 2 -f /usr/bin/php5-cgi php5-cgiの実行権限を設定します。 sudo chmod +x /usr/bin/php5-fastcgi リンクを作成します。 sudo ln -s /usr/bin/php5-fastcgi /usr/bin/php-fastcgi 起動用スクリプト/etc/init.d/fastcgiを作成します。 /etc/init.d/fastcgiの内容 #!/bin/bash PHP_SCRIPT=/usr/bin/php-fastcgi RETVAL=0 case "$1" in start) echo "Starting fastcgi" $PHP_SCRIPT RETVAL=$? ;; stop) echo "Stopping fastcgi" killall -9 php5-cgi RETVAL=$? ;; restart) echo "Restarting fastcgi" killall -9 php5-cgi $PHP_SCRIPT RETVAL=$? ;; *) echo "Usage php-fastcgi {start|stop|restart}" exit 1 ;; esac exit $RETVAL 権限を設定します。 sudo chmod 755 /etc/init.d/fastcgi fastcgiを起動してみます。 sudo /etc/init.d/fastcgi start サーバー起動時に起動するようにします。 sudo update-rc.d fastcgi defaults /etc/nginx/sites-available/domain1.comのserver毎にに以下の内容を追加します。 location ~ \.php$ { fastcgi_pass 127.0.0.1 9000; fastcgi_index index.php; fastcgi_param SCRIPT_FILENAME /home/user/public_html/mydomain.com/public$fastcgi_script_name; include /etc/nginx/fastcgi_params; } /etc/nginx/sites-available/domain1.comの内容 下のようになります。 server { listen 80; server_name www.domain1.com; access_log /home/demo/public_html/domain1.com/log/access.log; error_log /home/demo/public_html/domain1.com/log/error.log; location / { root /home/demo/public_html/domain1.com/public/; index index.html index.php; } location ~ \.php$ { fastcgi_pass 127.0.0.1 9000; fastcgi_index index.php; fastcgi_param SCRIPT_FILENAME /home/demo/public_html/domain1.com/public$fastcgi_script_name; include /etc/nginx/fastcgi_params; } } server { listen 80; server_name domain1.com; access_log /home/demo/public_html/domain1.com/log/access.log; error_log /home/demo/public_html/domain1.com/log/error.log; location / { root /home/demo/public_html/domain1.com/public/; index index.html index.php; } location ~ \.php$ { fastcgi_pass 127.0.0.1 9000; fastcgi_index index.php; fastcgi_param SCRIPT_FILENAME /home/demo/public_html/domain1.com/public$fastcgi_script_name; include /etc/nginx/fastcgi_params; } } nginxを再起動 sudo /etc/init.d/nginx stop sudo /etc/init.d/nginx start これでnginxでphpスクリプトが動作します。 ここまでがnginxの基本設定となります。 お薦めの海外サーバー linodeでnginxを作動させています。
https://w.atwiki.jp/mrfrtech/pages/54.html
Market Scenario The Enterprise File Synchronization and Sharing Market Size is growing rapidly. Market growth attributes to the rising adoption of enterprise adopt synchronization sharing (EFSS) technologies in businesses. Besides, the increasing need to protect data from consumer-based apps to store access and merge corporate data outside of the IT department foster market growth. Moreover, increasing numbers of businesses worldwide, escalate the growth of the market. According to Market Research Future (MRFR), the global enterprise file synchronization sharing market is expected to garner a valuation of around USD 11 BN by 2023, growing at approximately 28% CAGR throughout the forecast period (2017 to 2023). Increasing digitalization in file sharing solutions and business processes boost the growth of the market. Rising BYOD trends to improve work efficiency and reduce the company s operational expenses impact the market growth positively. COVID-19 Analysis The business impact of SARS-CoV-2 has been felt across diverse sections of the information technology industry, albeit at different levels. Companies in the technology sector that supply services for verticals like travel, retail, hospitality, and entertainment have noted a dramatic decrease in sales, while the firms that provide services related to remote worker solutions have observed the opposite. Enterprise File Synchronization Sharing Market ’s fate post pandemic has been relatively less grim compared to Education Services (ES) and Professional Services (PS) that are mostly dependent on components that are generally on-site. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6294 Competitive Outlook Players leading the enterprise file synchronization sharing market include Microsoft Corporation (US), Dropbox (US), Citrix Systems (US), IBM Aspera (US), BlackBerry (Canada), VMware Inc. (US), OpenText (Canada), Google Inc. (US), Thru. Inc. (US), Egnyte (US), Syncplicity (US), Acronis International (Switzerland), SkySync (US), j2 Global (US), HighQ Solutions (UK), ownCloud (Germany), Nextcloud (Germany), CodeLathe (FileCloud) (US), Qnext Corp. (FileFlex) (Canada), Intralinks (US), XMedius Solutions (Canada), Northbridge Secure Systems (Australia), Inspire-Tech (Singapore/US), Wanpath LLC (US), CTERA Networks (Israel/US), and Accellion (US), among others. Segmentation By Component Standalone EFSS Solution, Integrated EFSS Solution, and others. By Deployment Type On-Cloud and On-Premises. By Organization Size Large Enterprises and small medium-sized enterprises (SMEs). By Vertical BFSI, Software Technology, Government Public Sector, Healthcare, Legal, Education, Retail, Media Entertainment, and others. By Regions Europe, North America, APAC, and Rest of the World. Regional Analysis Europe dominates the global enterprise file synchronization sharing market. The leading market share attributes to the continuous adoption of the latest technological advancements, such as integrating cloud and mobile technologies within traditional enterprise file sharing and synchronization solutions. Also, early adoption and constant innovation by the organizations substantiate the growth of the regional market. The European enterprise file synchronization sharing market is projected to retain its dominance throughout the estimated period. North America stands second in the global enterprise file synchronization sharing market. The market is driven by the presence of several notable players and well-equipped infrastructure that allows development and early adoption of technologies. The US and Canada are the key growth contributors to the regional market. Additionally, various dynamic diversified multinational organizations foster the growth of the regional market. The North American enterprise file synchronization sharing market is expected to create a substantial revenue pocket during the forecast period. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/enterprise-file-synchronization-sharing-market-6294 List of Tables Table1 Global Enterprise File Synchronization Sharing Market, By Region, 2020–2027 Table2 North America Enterprise File Synchronization Sharing Market, By Country, 2020–2027 Table3 Europe Enterprise File Synchronization Sharing Market, By Country, 2020–2027 Continued… List of Figures FIGURE 1 Global Enterprise File Synchronization Sharing Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of Global Enterprise File Synchronization Sharing Market Continued… Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/touhoukashi/pages/1778.html
【登録タグ し めらみぽっぷ 凋叶棕 喩 曲 風神少女】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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2002 Ashrae Handbook Refrigeration (Inch Pound) (A S H R a E Handbook. Refrigeration, Inch Pound, 2002) Amer Society of Heating? AmerSocietyofHeating? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Science-General Proceedings 1992 Western Regional Meeting March 30-April 1, 1992, Bakersfield, California Society of Photo Optical? SocietyofPhotoOptical? ユーズドブック(洋書)-Engineering Subjects-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Science-General Aci Manual of Concrete Practice 2002 (Aci Manual of Concrete Practice (American Concrete Institute), 2002) Amer Concrete Inst? AmerConcreteInst? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Science-General Pca Soil Primer Portland Cement Assn? PortlandCementAssn? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Glass Industry Directory Issue 2002 The World's Most Complete Glass Industry Directory (Glass Industry Directory Issue, 2002) Ashlee Pub Co? AshleePubCo? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Ashrae Product Specification File, 1982 Amer Society of Heating? Refrigerating and Air-Conditioning Engine American Society of Heating? AmerSocietyofHeating? RefrigeratingandAir-ConditioningEngineAmericanSocietyofHeating? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? 1991 Aashto Annual Meeting Proceedings Selected Committee Meeting Papers Presented at the Seventy-Seventh Annual Meeting of the American Associatio Amer Assn of State Hwy? AmerAssnofStateHwy? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Transportation&Highway? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Transportation-Policy? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Reference-General? Directory Iron and Steel Plants, 1993 Assn for Iron & Steel Technology? Dorothy Sukits? AssnforIron&SteelTechnology? DorothySukits? ユーズドブック(洋書)-Engineering Subjects-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Reference-Catalogs&Directories-Directories? Subjects-Reference-General? Generating Unit Availability Following Planned Outages North Amer Electric? NorthAmerElectric? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Science-General Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Concrete Shell Buckling (Sp-67) Amer Concrete Inst? Egor P. Popov? AmerConcreteInst? EgorP.Popov? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Engineering-Civil-Construction-Concrete? Subjects-Professional&Technical-Engineering-Civil-Construction-Concrete? 1984 Worldwide Synthetic Fuels and Alternate Energy Directory Pennwell Corp? PennwellCorp? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-Energy-General? Subjects-Professional&Technical-Engineering-Energy-General? S. M. Uzumeri Symposium Behavior and Design of Concrete Structures for Seismic Performance (Special Publication (Amer Concrete Inst), 197) Amer Concrete Inst? AmerConcreteInst? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-57? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Science-General Indicators of Industrial Activity/Indicateurs Des Activites Industrielles, 1992 Organization for Economic? OrganizationforEconomic? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Indicators of Industrial Activity/Indicateurs Des Activites Industrielles, 1992 Organization for Economic? OrganizationforEconomic? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Significant Developments in Engineering Practice and Research Amer Concrete Inst? AmerConcreteInst? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Joint Sealing and Bearing Systems for Concrete Structures Amer Concrete Inst? World Congress on Joints & Bearings? AmerConcreteInst? WorldCongressonJoints&Bearings? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Engineering-Civil-Construction-Concrete? Subjects-Professional&Technical-Engineering-Civil-Construction-Concrete? Walden's Handbook for Paper Salespeople Buyers of Printing Paper Walden-Mott Corp? Walden-MottCorp? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Professional&Technical-Engineering-MaterialsScience-Paper&Woodpulp? Subjects-Engineering-MaterialsScience-Paper&Woodpulp? Wind Energy Utilization A Bibliography With Abstracts Univ of New Mexico? Technology Application Center? UnivofNewMexico? TechnologyApplicationCenter? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-57? Subjects-Engineering-Energy-Wind? Subjects-Professional&Technical-Engineering-Energy-Wind? Dynamic and Seismic Analysis of Systems and Components Amer Society of Mechanical? M.J. Yan? AmerSocietyofMechanical? M.J.Yan? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-SeismicDesign? Subjects-Engineering-Mechanical-PressureVessels? Subjects-Professional&Technical-Engineering-Civil-SeismicDesign? Subjects-Professional&Technical-Engineering-Mechanical-PressureVessels? 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MIT OpenCourseWare > 6.170 Laboratory in Software Engineering, Fall 2001 > 6.170 Laboratory in Software Engineering Lecture 1 MIT OpenCourseWare 6.170 Laboratory in Software Engineering, Fall 2001, Lecture 1 Introduction のまとめ ラジオの方では vol.1 にあたりました。Lecture Noteを読むときの助けにしてください。 6.170 Laboratory in Software Engineering, Fall 2001のLecture NoteのPDFはこちら (※2006年4月16日現在、上記講義は6.170 Laboratory in Software Engineering, Fall 2005にアップデートされたようですが、PDFはまだ拾うことができます。) 1.1 What 6170 s About このコースの主な単元 オブジェクト指向プログラミング オブジェクト指向のソフトウェアデザイン ソフトウェア開発の演習(ネットラジオでは対象外とします) このコースで身につくもの ソフトウェアのデザイン 抽象化のメカニズムやパターンを以下に上手に実現するか、デザインの表現 Javaによる実装 dependable, flexibleなソフトウェアの実現 重要なのはデザインに重点を置いていることで、プログラミングは前提知識。 また、hackingすることが目的ではない。 ローレベルのコーダーではなくアーキテクトになる デバッグに時間をかけない 1.2 Admin Policies 講義資料 (ただしこのネットラジオでは2つ目のlecture notesのみ使い、残りはDJの力量でカバーしていきます……多分) course text Liskov, Barbara. Program Development in Java Abstraction, Specification, and Object-Oriented Design. Reading, MA Addison-Wesley, 2001. ISBN 0201657686. lecture notes usually published the day of the lecture ‘Gang of Four’design patterns book recommended ‘Effective Java’by Bloch recommended Javaのチュートリアル 1.3 Why Software Engineering Matters ソフトウェアエンジニアリングの、主に社会的な重要性。 1996年の調査では ソフトウェアは輸出黒字最上位 $24Bを輸出し$4Bが輸入($20Bの黒字) 他の産業では… agriculture 26-14-12, aerospace 11-3-8, chemicals 26-19-7, vehicles 21-43-(22), manufactured goods 200-265-(64) (元資料 Software Conspiracy, Mark Minasi, McGraw Hill, 2000). ソフトウェアの役割はインターネットだけではなくtransportation, energy, medicine, financeなどにまで。たとえば車には10から100のプロセッサが載っていて、ブレーキからオーディオまで関わっている。 購入のコストはゼロに近づいているが、維持のコストが多くかかっている。 開発の失敗、アクシデント、質の低いソフトウェアなど。 1.3.1 Development failures 開発の失敗例の分類 IBM survey, 1994 55%のシステムがオーバーコスト 68%がスケジュールをオーバー 88%が実質的に再デザイン Advanced Automation System (FAA, 1982-1994) 業界平均は$100/行だが, 本来は$500/行ぐらいかかっている 結局$700-900/行ぐらい払っている $6Bの仕事が無駄になっている Bureau of Labor Statistics (1997) 新しいシステムは6個中2個はキャンセルされてる 最大のシステムのキャンセル割合は50% スケジュールオーバーが50% 3/4のシステムが運用に失敗 1.3.2 Accidents アクシデントについて。 “The most likely way for the world to be destroyed, most experts agree, is by accident. That’s where we come in. We’re computer professionals. We cause accidents.” Nathaniel Borenstein, inventor of MIME,in Programming as if People Mattered Friendly Programs, Software Engineering and Other Noble Delusions, Princeton University Press, Princeton, NJ, 1991. アクシデントの例。 Therac-25 (1985-87) ‘interpretation of beam block data by software’ was a factor http //sunnyday.mit.edu/therac-25.html http //www.fda.gov/cdrh/ocd/panamaradexp.html Ariane-5 (June 1996) It’s quite rare for bugs in the code to be the cause; usually, the problem goes back to the requirements analysis, (テキストの参照先がデッドリンク) London Ambulance Service (1992) really a managerial one. they made the terrible mistake of trying to go online abruptly, without running the new and old systems together for a while. http //www.cs.ucl.ac.uk/staff/A.Finkelstein/las.html PITAC report, Information Technology Research Investing in Our Future “The demand for software has grown far faster than our ability to produce it. Furthermore, the Nation needs software that is far more usable, reliable, and powerful than what is being produced today. We have become dangerously dependent on large software systems whose behavior is not well understood and which often fail in unpredicted ways.” 1.3.3 Software Quality ソフトウェアの質を計る1つの基準はバグ数/kloc。 デリバー後にわかる 業界平均は10 1以下なら高品質 Praxis CDIS system (1993)の例 0.75 defects/klocだった 1.4 Why Design Matters この授業では‘hacking code’がソフトウェア作りの全てではなく、コードを語るより良い方法が必要であることを示す。 ソフトウェアデザイン者の心得 予め考える(安いし) 最後に品質を上げようと考えてはいけない チームワークが可能な権限委譲をする 駄目なデザインはユーザーに影響する 駄目なデザインは開発者に影響する 1.4.1 The Netscape Story solid designに基づいてIE3を作ったMSとデザインに注意を払わなくて手遅れになったNetscapeの失敗例 1.5 Advice Course strategy don’t get behind pace is fast! attend lectures material is not all in textbook think in advance don’t rush to code de-sign, not de-bug today s visitor: - total visitor: -